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https://www.redcat.org/exhibition/vicente-razo
ABOUT THE ARTIST. Vicente Razo (Mexico City, 1971) is an artist based in Mexico City. He is interested in the intersection between popular culture, politics and art …Estimated Reading Time: 2 mins
https://www.mutualart.com/Artist/Vicente-Razo/87C20D8FD180BE25/Biography
Learn more about Vicente Razo . Read the artist bio and gain a deeper understanding with MutualArt's artist profile.
https://www.goodreads.com/book/show/1333983.The_Official_Museo_Salinas_Catalogue
The Official Museo Salinas Catalogue book. Read reviews from world’s largest community for readers. In March of 1996, Mexican artist Vicente Razo founded...
https://www.amazon.com/Official-Museo-Salinas-Catalogue/dp/188919543X
In March 1996, Mexican artist Vicente Razo founded the Museo Salinas in his own bathroom with the slogan: “Stop doing ready-mades, start making museums.” The museum features a baroque and delirious collection of seditious Mexican memorabilia— plastic toys, piñatas, masks, stickers, clothing, and other trinkets—related to the ...Reviews: 1
https://www.macba.cat/en/learn-explore/archive/authors/razo-botey-vicente
Art and Artists Works Artists Ongoing Display About the Collection Itineraries A Short Century: MACBA Collection ... Vicente Razo Botey 1971, Mexico City, Mexico Print file Share Related Related Archive documents Archive document. Ediciones de interés general : El arte conceptual : No. 01 ...
https://hiplatina.com/renegade-art-action-1990s-mexico/
Photo: Courtesy of Pacific Standard Time, “Museo Salinas” by Vicente Razo 1996 One of my favorites included “If She Is Mexico, Who Beat Her Up?” by Lorena Wolffer. It is set up like a photoshoot complete with clothes on racks and large photos of bruised models, which are used as a visual metaphor for the economic abuse Mexico endured.
https://moore.edu/the-galleries-at-moore/exhibitions/exhibition-history/2015/strange-currencies
Vicente Razo, Revolucionario institucional (Institutional Revolutionary), 1994, molotov cocktails in six propaganda glass bottles and mixed media, dimensions variable. Courtesy of the artist. Gustavo Artigas, Discurso, 1994, audio installation with corn masa, altered audio cassette, paper, ski masks and headphones, dimensions variable.
https://hyperallergic.com/260197/the-postmodern-political-art-of-1990s-mexico-city/
Dec 09, 2015 · Another wall in the same space is occupied by Vicente Razo’s “Museo Salinas” (1994). In a gesture reminiscent of Marcel Broodthaers’s “Department of Eagles,” Razo created a museum dedicated to the...
https://www.sfaq.us/2015/09/strange-currencies-art-action-in-mexico-city-1990-2000-at-moore-college-of-art-design-philadelphia/
Vicente Razo, Revolucionario institucional (Institutional Revolutionary), 1994. Molotov cocktails in six propaganda glass bottles and mixed media, dimensions variable. Courtesy of the artist and Moore College of Art & Design.
https://www.facebook.com/public/Vicente-Razo
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