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https://annaschwartzgallery.com/artist/vivienne-shark-lewitt
Born Sale, Victoria Australia 1956. Lives and works in Daylesford. Vivienne Shark Lewitt is a painter and cartoonist whose astute wit and subversive humour have underpinned her discursive and allegorical paintings which pointedly, and at times poignantly, reveal …
https://www.mutualart.com/Artist/Vivienne-Shark-LeWitt/1E282B429D12ECCF
Vivienne Shark LeWitt is an Australian Postwar & Contemporary painter who was born in 1956. Their work was featured in several exhibitions at key galleries and museums, including The Ian Potter Museum of Art. Vivienne Shark LeWitt's work has been offered at auction multiple times, with realized prices ranging from $218 USD to $11,006 USD, depending on the size and medium of the artwork.Nationality: Australian
https://www.vizardfoundationartcollection.com.au/the-nineties/explore/vivienne-shark-lewitt/
Vivienne Shark LeWitt's paintings of the 1980s drew strongly on traditions of fable and romance, symbolic narratives closer to the workings of medieval allegory than, for example, the modern-day ellipses of cinema. She has had a longstanding interest in book covers, film posters, and book illustrations—images freighted with a duty of meaning.
https://www.roslynoxley9.com.au/artist/vivienne-shark-lewitt
Judy Annear `The Allegory of Vivienne Shark LeWitt', On The Beach Winter 1984 J.Engberg `Australian Visual Artists at The Edinburgh Festival 1984' Studio International 197,1984 Bernice Murphy `Recent Painting in Australia', Flash Art January 1983, p. 56-59 The International Trans-Avantgarde (Ed.
https://cv.vic.gov.au/stories/creative-life/panorama-a-question-of-perspective/vivienne-shark-lewitt/
For the past three and a half decades, Vivienne Shark LeWitt’s astute wit and subversive humour have underpinned her discursive and allegorical paintings which pointedly, and at times poignantly, reveal the peculiarity, complexity and absurdity of the human condition. Drawing upon both art historical and literary sources, the artist subtly interrogates past traditions, quoting different elements in ironic combinations …
https://artblart.com/tag/vivienne-shark-lewitt/
Installation view of the exhibition All the better to see you with: Fairy tales transformed at The Ian Potter Museum of Art, Melbourne showing the work of Vivienne Shark LeWitt (born Sale, Victoria, Australia in 1956; lives and works in Melbourne, Victoria) with The Bloody Chamber (1983) left and Charles Meryon the voyeur 1827-1868.
https://art-museum.unimelb.edu.au/wp-content/uploads/2020/04/FULL-TEXT-Raafat-Ishak-Up-from-the-Vaults-APRIL.pdf
Vivienne Shark Lewitt came into prominence in the early 1980s, exhibiting small allegorical paintings that became iconic of their time, and I guess, iconic of my time as a high school migrant student looking for something other than what was
https://www.artgallery.nsw.gov.au/collection/works/364.1988/?tab=details
Vivienne Shark LeWitt’s small paintings are considered, intimate and dreamily elusive. When they first appeared in the early 1980s – when everyone was scaling up to monumental canvases – they seemed regressive or literary, replenishing the old allegorical tradition of painting (for example, the Renaissance Italian Sandro Botticelli’s ‘La Primavera’ 1477–78).
https://www.daao.org.au/bio/vivienne-shark-lewitt/events/
Shark LeWitt is a mid-career artist who maintains a unique presence in Australian art. She makes intimately scaled paintings and works on paper in a deceptively winsome style, where the size and delicacy of the work belies its emotional and poetic impact. Shark leWitt presents vignettes of emotional vulnerability, many of which speak of the subtle gender politics and power plays of everyday life. Website
https://www.bonhams.com/auctions/22854/lot/52/
titled, dated and signed 'Marvelous Melbourne '91 Vivienne Shark Lewitt' verso oil on canvas 45.0 x 60.0cm (17 11/16 x 23 5/8in).
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