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https://drawpaintacademy.com/fauvism/
Mar 15, 2019 · Use of color as a form of expression. Inspired by the works of Paul Gauguin and Vincent van Gogh, the Fauves used color more so as a form of their own personal expression, rather than as a rendering tool. They rarely painted true colors. For example, in Matisse's painting below, notice the pink and red hues used to depict the mountains and the ground.
http://www.webexhibits.org/colorart/fauve.html
The Fauve colors seemed bright and unnatural, even assaulting to the eye. Also, the fragmented way that they were applied — in larger and smaller blocks — made the pictures seem sketchy, clumsy and unfinished to their contemporary audience. The spectator identifies the form to be “right” …
https://www.britannica.com/art/Fauvism
Fauvism, style of painting that flourished in France around the turn of the 20th century. Led by Henri Matisse, the Fauves used pure, brilliant color applied straight from paint tubes to create a sense of an explosion on the canvas. A critic gave them the name Fauves (‘wild beasts’) due to …
https://artyfactory.com/art_appreciation/art_movements/fauvism.htm
Les Fauves believed that color should be used to express the artist's feelings about a subject, rather than simply to describe what it looks like. Fauvist paintings have two main characteristics: simplified drawing and exaggerated color. Les Fauves were a great influence on German Expressionism. Italian Renaissance Art Menu
https://www.thoughtco.com/fauvism-art-history-183307
Mar 03, 2019 · Nothing took precedence over color for the Fauves. Raw, pure color was not secondary to the composition, it defined the composition. For example, if the artist painted a red sky, the rest of the landscape had to follow suit. To maximize the effect of a red sky, he might choose lime green buildings, yellow water, orange sand, and royal blue boats.
https://www.henrimatisse.org/fauvism.jsp
The Fauve painters were the first to break with Impressionism (leading artist: Claude Monet) as well as with older, traditional methods of perception. Their spontaneous, often subjective response to nature was expressed in bold, undisguised brushstrokes and high-keyed, vibrant colors directly from the tube.
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