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https://www.britannica.com/biography/Masaccio
Masaccio, byname of Tommaso di Giovanni di Simone Cassai, (born December 21, 1401, Castel San Giovanni [now San Giovanni Valdarno, near Florence, Italy]—died autumn 1428, Rome), important Florentine painter of the early Renaissance whose frescoes in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence ( c. 1427) remained influential throughout the Renaissance.
https://www.theartstory.org/artist/masaccio/
Summary of Masaccio. Masaccio is often credited as the first truly Renaissance artist. A tragically early end to his life cut short his progress, yet his outstanding work altered the course of Western art. The Early Renaissance was a time of cultural flourishing in Florence, and Masaccio was able to take advantage of the significant patronage of the arts among the nobility, who were keen to show off their wealth and …Nationality: Florentine
https://www.italian-renaissance-art.com/Masaccio.html
Masaccio. The Work of a Renaissance Master. Tommaso di ser Giovanni di Simone Cassai, also known as Masaccio, was another great Florentine artist who emerged at the beginning of the fifteenth century. He was born on 21st December 1401 in Castel San Giovanni near Florence and lived with his younger brother and his widowed mother.
https://www.nationalgallery.org.uk/artists/masaccio
Masaccio was the most revolutionary painter of the Early Renaissance. The Virgin and Child in the National Gallery is the central fragment of one of his most important works, a polyptych made at the age of 25 for the church of the Carmine in Pisa. Masaccio is recognised as one of the founders of the Florentine school of art.
https://mymodernmet.com/masaccio-renaissance-painter/
May 17, 2020 · Among these creative pioneers was the artist known as Masaccio (1401-1428) who, along with his contemporaries, paved the way for later Renaissance art. His use of linear perspective and the vanishing point, as well as his acute attention to realism, made him the first great painter of the Italian Renaissance.
https://www.theartstory.org/artist/masaccio/artworks/
Masaccio was one of the first artists to use naturalism and perspective in this way, creating a space so realistic that the picture plane appears more as a window than a flat surface. The figures' poses emulate classical statues, and their draped clothing is reminiscent of that worn by classical philosophers.
http://www.masaccio.net/paintings/
As Masaccio is known as the father of the Renaissance Era, his captivating techniques, styles, and themes, gained the artist the famous title. Masaccio had based his technique in aim of developing spatial perspective. Through this the artist worked to broaden the viewpoint of the painting by either horizontally or vertically expanding the artwork. It is believed that one of Masaccio's last paintings, …
http://www.travelingintuscany.com/art/masaccio.htm
Masaccio, Portrait of a Young Man (1425) - wood, National Gallery of Art, Washington, D.C. Masaccio. Masaccio (December 21, 1401 – autumn 1428), born Tommaso di Ser Giovanni di Simone, was the first great painter of the Quattrocento period of the Italian Renaissance.
https://zwarciaolesno.pl/areas-to-sjugx/aaec02-what-type-of-art-did-masaccio-do
What that does is make the fresco so much more real—it is like the figures are really standing out in a landscape, with the light coming from one direction, and the sun in the sky, hitting all the figures from the same side and casting shadows on the ground. who also became a painter, stayed with his mother. The paintings in the chapel were cleaned and fully restored in the 1980s revealing ...
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