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https://www.chestertonart.com/18-artists-when-attitude-becomes-form/
18 Artists “When Attitude Becomes Form” Larry Jensen Turning Timbers; ArtComp August 2010; The Art of Jet Wittenberg October 2010; David Sander November 2010; 2011 “I am an artist” March 2011; Duneland Weavers Guild Show April 2011; Imaginations 2011; The 60th Chesterton Woman’s Club Art Show 2011; Emerging Artists …
https://magazine.artland.com/shows-that-made-contemporary-art-history-live-in-your-head-when-attitudes-become-form/
Dec 11, 2020 · When Attitudes Become Form was aimed at discovering new systems for information, exchange, and artist interaction. At the same time, it established a new system of corporate funding for exhibitions the likes of which hadn’t been seen …
https://contemporaryartdaily.com/2013/09/when-attitudes-become-form-at-kunsthalle-bern-1969/
Sep 18, 2013 · Artists: Carl Andre ... Exhibition Title: Live in Your Head: When Attitudes Become Form (Works – Concepts – Processes – Situations – Information) Curated By: Harald Szeemann. Date: March 22 – April 27, 1969.
https://www.tandfonline.com/doi/full/10.1080/20004214.2017.1362309
Sep 27, 2017 · Conception of When Attitudes Become Form exhibition. The exhibition Live in Your Head.When Attitudes Become Form. Works, Concepts, Processes, Situations, Information (Figures 1 and 2), organised by Harald Szeemann at the Bern Kunsthalle in 1969, became one of the first large-scale demonstrations of contemporary art practices: Conceptual Art, Op Art, Minimal Art, etc.Author: Marina Biryukova
https://www.artpractical.com/review/when_attitudes_became_form_cohn/
Oct 24, 2012 · The exhibition’s title—a riff on Harald Szeeman’s iconic 1969 exhibition Live in Your Head: When Attitudes Become Form—situates Wattis curator Jens Hoffman’s project as a meditation on the question of what new tendencies arose from the break with traditional art media four decades ago.
https://www.artbook.com/9780984960927.html
Harald Szeemann's 1969 legendary exhibition Live in Your Head: When Attitudes Become Form was one of the first shows to bring together new tendencies in 1960s art, such as postminimalism, Arte Povera, Land art and Conceptual art. While the exhibition has been widely discussed and researched, an investigation into its impact has never before been realized in an exhibition. This volume explores ...
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