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Salvador Dali's The Persistence of Memory explained art ...

    https://www.phaidon.com/agenda/art/articles/2016/may/10/salvador-dalis-the-persistence-of-memory-explained/
    May 10, 2016 · Salvador Dali's The Persistence of Memory explained Find out how the Spanish Surrealist went from penniless painter to toast of the NYC artworld in one single canvas On 28 December 1929, Salvador Dalí ’s father threw the 25-year-old painter out of the family home.

The Persistence of Memory, 1931 - Salvador Dali - WikiArt.org

    https://www.wikiart.org/en/salvador-dali/the-persistence-of-memory-1931
    Two decades after The Persistence of Memory, Dalí recreated his famous work in the painting The Disintegration of the Persistence of Memory (1952-1954). As the title suggests, the painting shows the disintegration of the world depicted in the original painting, reflecting a world changed by the nuclear age.Date completed: 1931

The Persistence of Memory - The Artist

    https://www.theartist.me/artwork/the-persistence-of-memory/
    The Persistence of Memory is a painting produced in 1931 by Spanish artist Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Pubol, known as Salvador Dalí. Probably the most memorable painting of popular culture, which is best known as Melting Clocks and has been considered as Surrealism itself, just as Dali.

Salvador Dalí. The Persistence of Memory. 1931 MoMA

    https://www.moma.org/collection/works/79018
    Salvador Dalí The Persistence of Memory 1931. On view. MoMA, Floor 5, 517 The Alfred H. Barr, Jr. Galleries. Hard objects become inexplicably limp in this bleak and infinite dreamscape, while metal attracts ants like rotting flesh. Mastering what he called “the usual paralyzing tricks of eye-fooling,” Dalí painted with “the most ...

“The Persistence of Memory” Explained - Artsy

    https://www.artsy.net/article/artsy-editorial-understanding-the-persistence-memory-salvador-dalis-surrealist-masterpiece
    Aug 05, 2020 · Dalí painted The Persistence of Memory in 1931 when he was just 28 years old, and the Surrealist movement was at its height. By this time, he was formally involved with the Surrealists and had developed his “paranoiac-critical method” for creating art.

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