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https://en.wikipedia.org/wiki/Italian_Baroque_art
The principal painter of the Roman High Baroque, a period that spanned several papal reigns from 1623 to 1667, was Pietro da Cortona. His baroque manner is clearly evident in paintings that he executed for the Sacchetti family in the 1620s and the vault fresco …
https://courses.lumenlearning.com/zeliart102/chapter/baroque-art-in-italy/
Bernini, one of the greatest artists of the Baroque period, worked in Rome, often for the papacy like Michelangelo before him. To get an idea of what a great sculptor he is, and how he can make marble seem like human flesh, look at his sculpure Pluto and Proserpina.
https://www.isd330.org/cms/lib07/MN01001112/Centricity/Domain/42/Chap19.pdf
ah-vah-jyoh) gave Baroque art its unique look and feel. Caravaggio chose to study and paint the world around him instead of reworking the subjects of Renaissance artists. He made light an important part of his painting, using it to illuminate his figures and expose their imper-fections. By …
https://quizlet.com/305840522/art-8-flash-cards/
The Italian artist that gave Baroque art its unique look and changed the course of European painting during the seventeenth century. Characteristics of his work Michelangelo de Caravaggio.Made light an important part of his figures. used chiaroscuro
https://quizlet.com/216368245/unit-8-flash-cards/
Describe the baroque style exemplified by I'll Gesú and San Carlo Allen Quattro Fontane Gesù: sculptured scrolls on each side unite side sections of wide of a façade San Carlo: continuous flow of concave and convex surface, seem elastic and popped out of shape
https://www.biography.com/news/caravaggio-italian-painter-criminal-murderer
The Baroque artist Caravaggio is famous for gruesome paintings like “Judith Beheading Holofernes." Yet it wasn’t only his paintings that were brutal and violent.
https://en.wikipedia.org/wiki/Italian_art
Movement founded by the Italian artist Lucio Fontana as the movimento spaziale, its tenets were repeated in manifestos between 1947 and 1954. Combining elements of concrete art, dada and tachism, the movement's adherents rejected easel painting and embraced new technological developments, seeking to incorporate time and movement in their works.
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