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https://victorian-era.org/william-sidney-mount-biography.html
William Sidney Mount was born on the 26th of November, 1807 in Long Island, New York to Thomas Shepard Mount and his wife Julia Hawkins. He grew up in New York and showed a flair for art at a very young age. He worked at his family farm in Stony Brook, New York until 1824. His older brother – Henry Mount was an ornamental painter in New York City.
https://www.britannica.com/biography/William-Sidney-Mount
William Sidney Mount, (born November 26, 1807, Setauket, Long Island, New York, U.S.—died November 19, 1868, Setauket), American genre painter who mainly depicted rustic life in his native Long Island. He was one of the first and best 19th-century anecdotal painters in the United States. A farm boy until age 17, Mount apprenticed himself to his older brother Henry, a sign painter working in New …
https://fineartamerica.com/art/paintings/william+sidney+mount
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https://theimaginativeconservative.org/2018/11/images-america-william-sidney-mount-michael-de-sapio.html
William Sidney Mount (1807-1868) When America was young, our sense of self was formed through paintings. The portraits of Gilbert Stuart and John Singleton Copley instilled civic pride, while the panoramas of the Hudson River School showed the Sublime in our landscape. But Americans especially delighted in pictures that reflected our everyday lives.
https://www.metmuseum.org/art/collection/search/11619
The Metropolitan Museum of Art Bulletin, v. 25, no. 8 (April, 1967) Masterpieces of American Painting in The Metropolitan Museum of Art Guide to The Metropolitan Museum of Art "Banks, Politics, Hard Cider, and Paint: The Political Origins of William Sidney Mount's Cider Making": Metropolitan Museum Journal, v. …
http://collections.fenimoreartmuseum.org/eel-spearing-at-setauket
William Sidney Mount. Title: Eel Spearing at Setauket. Date: 1845. Identifier: N0395.1955. Description: More than any other artist, Mount brought genre painting to public attention and popularity in the third and fourth decades of the 19th century.
https://www.nga.gov/collection/artist-info.1741.html
His paintings were rooted in witty national self-criticism and popular expression, and many of his works were engraved, giving them wide publicity. Mount received commissions from the most influential patrons in New York City, and he was a favorite of the newspaper and journal critics, who held him up as a model.
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