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https://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-coca-cola-project-t12328
For the Coca-Cola Project Meireles removed Coca-Cola bottles from normal circulation and modified them by adding critical political statements, or instructions for turning the bottle into a Molotov cocktail, before returning them to the circuit of exchange. On the bottles, such messages as ‘Yankees Go Home’ are followed by the work’s title and the artist’s statement of purpose: ‘To register informations and critical opinions on bottles …
https://www.tate.org.uk/research/publications/performance-at-tate/perspectives/cildo-meireles
Conceiving of Insertions into Ideological Circuits: Coca-Cola Project in terms of performance entails shifting the emphasis away from the message that supposedly resided in, or on, the work itself to the ways the object, both in and as circulation, traced a collective situation, rendering it in human scale through a calculated mode of dissemination. Meireles’s work shows us that ideological circuits – the …
https://www.artic.edu/artworks/226986/insertions-into-ideological-circuits-coca-cola-project
Insertions into Ideological Circuits: Coca-Cola ProjectDate:1970 (ongoing)Artist:Cildo MeirelesBrazilian, born 1948. About this artwork. Cildo Meireles’s ongoing Coca-Cola Project, an extension of his Insertions into Ideological Circuits project, interrogates how power—socioeconomic and political—is distributed through networks of commodity and information exchange.
https://www.artsy.net/artwork/cildo-meireles-intercoes-em-circuitos-ideologicos-projeto-coca-cola
For Insertion into Ideological Circuits 2: Banknote Project (1970), created for the landmark Information exhibition at the Museum of Modern Art, New York, Mereiles printed politically subversive messages on notes of U.S. and Brazilian currency and entered them into national circulation, encouraging viewers to confront political situations ...Brand: Cildo Meireles
https://en.wikipedia.org/wiki/Cildo_Meireles
Cildo Meireles (born 1948) is a Brazilian conceptual artist, installation artist and sculptor.He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, encourage a phenomenological experience via the viewer's interaction.Awards: Prince Claus Award, 1999
http://dome.mit.edu/handle/1721.3/63301?show=full
Insertions into Ideological Circuits: Coca-Cola Project. "In the 1970s when Brazil was ruled by a series of brutal military dictatorships, Meireles created two highly provocative and signature works titled Inserções em Circuitos Ideologicos (Insertions Into Ideological Circuits). For the first, he stamped Brazilian currency with messages of protest, such as the question "Who Killed Herzog?," in reference to the …
https://www.moma.org/artists/7007
Nov 21, 2010 · Read the Cildo Meireles profile at BOMB; ... Latin American and Caribbean Art from the Collection of The Museum of Modern Art Mar 4–Jul 25, 2004. ... INSERTIONS INTO IDEOLOGICAL CIRCUITS: 1. COCA-COLA PROJECT (INSERÇÕES EM CIRCUITOS IDEOLÓGICOS: 1. PROJETO COCA-COLA) 1970
https://www.artsy.net/artist/cildo-meireles/auction-results
Cildo Meireles (b. 1948) Interções em Circuitos Ideolõgicos: Projeto Coca-Cola (Insertions into Ideological Circuits: Coca-Cola Project) each: printed with the artist's initials and date 'C.M. 5-70' (on a label affixed to the bottle) transfer text on Coca-Cola glass bottle, in three parts each: 25 x 5.5 x 5.5cm. Executed in 1970/2007
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