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https://www.metmuseum.org/toah/hd/18wa/hd_18wa.htm
Despite a cap on the number of women admitted to France’s prestigious Académie Royale de Peinture et de Sculpture, and restrictions that barred women from the life drawing classes attended by young men aspiring to paint historical narratives, women ranked among the most sought-after artists in Paris in the 1780s. Three of the Académie’s four female members—Adélaïde Labille-Guiard (1749–1803), Anne Vallayer-Coster (1744–1818), and Élisabeth Louise Vigée Le Brun …
https://masterpiecesmnba.blogspot.com/2015/03/eighteenth-century-women-painters-in.html
She was followed by sculptor Lola Mora (Tucumán, 1866-1936) and, later in time, by the pioneer of Abstraction Yente (Eugenia Crenovich – Buenos Aires, 1905-1990) and Raquel Forner (Buenos Aires, 1902-1988), who depicted the pains of the world. Keep …
https://www.erudit.org/en/journals/man/1982-v1-man0227/1011803ar.pdf
terms of numbers, there were only three active women artists in France in the sixteenth century, about thirty in the seventeenth, and over two hundred in the eighteenth. The Académie du Saint-Luc alone registered 130 women as master painters in that century.8 Admittedly the number of women artists
http://www.artcyclopedia.com/artists/women-artists-18th.html
26 rows · 18th Century Women Artists. List of Women Artists: • Up to 17th Century ... 18th ...
https://www.bbc.com/culture/article/20161019-the-great-women-artists-that-history-forgot
Oct 19, 2016 · Unlike Peeters, the life of Louise Elisabeth Vigée Le Brun is well documented. She was the most successful, and expensive, portrait painter of …
https://www.geriwalton.com/ideas-of-female-beauty-in-1700-and-1800s/
Aug 25, 2014 · Beauty was important to women, but, perhaps, it was even more important to men, because it was a man who noted in the late 1700s that a woman’s “first merit is that of beauty.”[1] People seemed to have particular ideas of what beauty entailed and wrote about it.
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