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https://www.jstor.org/stable/3820233
voir of artistic criticism" (Thompson 19), while specifically, in the words of Farris Thompson, "Yoruba art critics are experts of strong mind and articulate voice who measure in words the quality of works of art" (20). However, while those obser-vations are tenable for Yoriuba art criticism, two complementary facts should also be noted.
https://arthistory.yale.edu/people/robert-thompson
Professor Emeritus in the History of Art and African American Studies. 203-432-2683. 190 York St, New Haven, CT 06511. Robert Farris Thompson, starting with an article on Afro-Cuban dance and music published in 1958, has devoted his life to the serious study of the art history of the Afro-Atlantic world. His first book, Black Gods and Kings, was a close iconographic reading of the art history of the forty million Yoruba …
https://www.jstor.org/stable/217302
Thompson has learned the language, the customs, and religion of the Yoruba, participated in the music and dance of the people, and sought to experience the plastic art as an integrated part of this holistic context. What-ever criticisms of particular interpretations may be possible, no one can deny that Thompson's studies of Yoruba art are based on penetrating soundings of
https://hearstmuseum.berkeley.edu/wp-content/uploads/TeachingKit_YorubaArtAndCulture.pdf
YORUBA ART AND CULTURE 9 The Yoruba people live on the west coast of Africa in Nigeria and can also be found in the eastern Republic of Benin and Togo. Because the majority of the slaves brought to the Americas were from West Africa Yoruban descendants can also be found in Brazil, Cuba, the Caribbean, and the United States.
https://academic.oup.com/bjaesthetics/article-abstract/14/3/239/49838
Mar 01, 1974 · Lawal Babatunde, SOME ASPECTS OF YORUBA AESTHETICS 1, The British Journal of Aesthetics, Volume 14, Issue 3, SUMMER 1974, Pages 239–249, ... Practice-Centered Pluralism and a Disjunctive Theory of Art . Aesthetic Experience and the Unfathomable: A Pragmatist Critique of Hermeneutic Aesthetics . When does Something ‘Belong’ to a Culture?Cited by: 26
https://arthistorians.info/thompsonr
His dissertation entitled, Yoruba Dance Sculpture: Its Contexts and Critics, introduced the study of Yoruba religion and dance practices to art history, and served as the methodological foundation for the study of African art. Thompson's research encompasses art from the entire African diaspora, ranging from Afro-Brazilian art to African-American art.
https://en.wikipedia.org/wiki/Robert_Farris_Thompson
Robert Farris Thompson is an American historian and writer specialising in the art of Africa and the Afro-Atlantic world. He has been a member of the faculty at Yale University since 1965 and currently serves as the Colonel John Trumbull Professor of the History of Art. Thompson coined the term "black Atlantic" in his 1983 book Flash of the Spirit: African and Afro-American Art and Philosophy - the expanded subject of Paul Gilroy's book The Black Atlantic. He lived in the Yoruba …
https://www.rollingstone.com/culture/culture-news/robert-farris-thompson-canons-of-the-cool-58823/
Thompson is an art historian, a tenured professor at Yale and master of Timothy Dwight College there. I am a former student of his, come along to watch Bob make what he calls “a little sounding ...
https://www.cambridge.org/core/books/yoruba-art-and-language/F59849ED2A1257F446B7ED1CEB8EFF7A
'Yoruba Art and Language: Seeking the African in African Art provides a seminal and authoritative work pertaining to Yoruba art and languages of Nigeria. Rowland Abiodun, the John C. Newton Professor of Art, the History of Art and Black Studies at Amherst College, is an astute art historian, researcher, and culture activist, whose work will ...
https://www.worldcat.org/title/traditional-artist-in-african-societies/oclc/19671786
Yoruba artistic criticism / Robert Farris Thompson --A Yoruba master carver : Duga of Meko / William Bascom --The musicians in Akan society / J.H. Kwabena Nketia --The role of the carver in Anang society / John C. Messenger --A sociocultural view of Hausa musical activity / David W. Ames --enkyagu as artists in Marghi society / James H. Vaughan, Jr.
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