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Pages in category "14th-century German painters" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes ().
German artists: List of great German artists and index to where their art can be viewed at art museums worldwide. ... Peter Parler: 1330-1399: Sculptor : Master Bertram: 1340-1414: Painter : Kartner Meister: 15th Century : Master of the Housebook: 15th Century: Painter : Master of the Pfullendorf Altar: 15th Century: Painter : Lukas Moser: 1390 ...
Jan 08, 2021 · Jacopo di Cione, Madonna Nursing the Christ Child with Saints Lawrence and Margaret; Predella: the Man of Sorrows, Mater Dolorosa, and Saint John the Evangelist…Author: Angelica Villa
The best-known and arguably the greatest German artist, Albrecht Dürer, was born in Nuremberg in 1471. His trips to Italy, where he became acquainted with Giovanni Bellini and with theories of perspective and proportion, were of inestimable importance for the history of northern European art.
Category:15th-century German painters. Jump to navigation Jump to search. Wikimedia Commons has media related to 15th-century painters from Germany. Late Gothic Medieval German and Early German Renaissance painters. 10th; 11th; 12th; 13th; 14th; 15th; 16th; 17th; 18th; 19th; 20th ...
As a means of recording the passage of time, the 14th century was a century lasting from January 1, 1301, through December 31, 1400. The term is often used to refer to the 1300s, the century between 1300 and 1399. It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire.
Category:16th-century German painters. Jump to navigation Jump to search. Wikimedia Commons has media related to 16th-century painters from Germany. 11th; 12th; 13th; 14th; 15th; 16th; 17th; 18th; 19th; 20th; 21st; Subcategories. This category has the following 7 subcategories, out of 7 total. A ...
After all art at the end of the thirteenth century in Italy was still based on Byzantine art - or at least a Byzantine formula. Not only were the permissible subjects for Christian iconography carefully tabulated, but so were their order of precedence, the manner of their presentation, and even the colours to be used.
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