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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
Today there is a related paradigm in advanced art on the left: the artist as ethnographer. The object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden tity. But the subject of association has changed: it …
https://www.goodreads.com/book/show/1024540.Kandinsky_and_Old_Russia
4 reviews Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this work, Peg Weiss provides an interpretation of Kandinsky's art by examining how this commitment to his ethnic Russian heritage influenced the painter's work ...3.9/5
https://ivypanda.com/essays/decoloniality-in-art-and-artist-as-ethnographer/
On the other hand, it is suggested to consider artists as ethnographers who have to investigate cultural issues in order to grasp their importance in the modern world.2In this critical review, two articles will be discussed in order to clarify the main challenges modern artists could face and the methods they could use to solve their problems and avoid misunderstandings.
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
The Artist as Ethnographer? Hal F0.r.k~ My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in Apd 19%. There, under the influence of Berthold Brecht and Russian revolutionary culture, Benjamin (1978) called on the artist on the left "to side ...
http://www.corner-college.com/udb/cpro2ZgGKfArtist_As_Ethnographer.pdf
ethnographer. T h e object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has changed: it is now the cu ltu ral an d /o r eth- nic other i n w hose n a m e the artist often stru ggles. A nd yet, despite this sh ift ...
https://www.frieze.com/article/mohamed-bourouissa-nasser-2021-review
Bourouissa’s artistic practice calls to mind Hal Foster’s essay ‘The Artist as Ethnographer?’ (1995), in which the art historian identifies an ethnographic turn within artist practices of the 1990s and problematizes the implications that come with that practice as being dependent on articulating a cultural and ethnic otherness.
https://www.jstor.org/stable/1320980
The recent shift in contemporary art of artists using ethnography as an integral component in their artistic practice opens a range of issues regarding the relationship between experience in the field, interpretation, and artistic representation.
http://csmt.uchicago.edu/annotations/fosterartist.htm
In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism.Chapter 6 of his book, “The Artist as Ethnographer,” deals specifically with what Foster dubs the “ethnographic turn” in art of since the 1960s.
http://vejournal.org/index.php/vejournal/article/view/159
The ambition of the artists, anthropologists, performers, designers and curators gathered there was to explore explicit combinations and convergences between artistic and curatorial practices and ethnographic processes, dissolving boundaries in order to defend a more experimental approach to ethnographic representation, privileging art-based, participatory and collaborative research as methods.
https://mitpress.mit.edu/books/return-real
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and …
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