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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
Today there is a related paradigm in advanced art on the left: the artist as ethnographer. The object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden tity. But the subject of association has changed: it …
http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
http://www.corner-college.com/udb/cpro2ZgGKfArtist_As_Ethnographer.pdf
ethnographer. T h e object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has changed: it is now the cu ltu ral an d /o r eth- nic other i n w hose n a m e the artist often stru ggles. A nd yet, despite this sh ift ...
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
Today there is a related paradigm in advanced art on the left: the artist as ethnographer. The object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has …
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.617.6445
CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): culture, Benjamin (1978) called on the artist on the left "to side with the prole-tariat." ' In vanguard Paris in April 1934 this call was not radical; the approach, however, was. For Benjamin urged the "advanced " artist to intervene, like the rev-olutionary worker, in the means of artistic production-to change the ...
https://www.academia.edu/1158324/The_artist_as_surgical_ethnographer_Participant_observers_outside_the_social_sciences
Key words: contemporary art; ethnography; surgery The artist as surgical ethnographer: participant observers outside the social sciences Upon observing her first surgical procedure, the British sculptor Barbara Hepworth was overwhelmed by surgery’s ‘extraordinary beauty of purpose . . . the way that unity of idea and purpose dictated a perfection of concentration, movement, and gesture . . . by the way this special grace . . . induced a spontaneous space composition, an articulated and ...
https://www.academia.edu/2645968/Artistic_Practice_and_Museum_Ethnography
Fieldwork in a Glass Case: The Artist as EthnographerNew Zealand has the largest population of migrant Pacific Islanders in the world.After working as a model in London and Milan in the 1980s, Raymond returned to Auckland in the early 1990s, and joined a number of young New Zealand-born Pacific Island artists who were contributing to the development of a Pacific art movement in order to …
https://www.ibraaz.org/essays/11
Jun 01, 2011 · Download PDF. 'Today there is a related paradigm in advanced art on the left: the artist as ethnographer. The object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, identity. But the subject of association has changed: it is now the cultural and/or ethnic other in whose name the artist often struggles.'.
https://tnedrandolph.blogspot.com/2011/04/response-to-hal-fosters-artist-as.html
Apr 13, 2011 · Response to Hal Foster's Artist as Ethnographer. One of our readings this semester was by Hal Foster whose 1996 essay, "Artist as Ethnographer" criticized the practice of artists acting as quasi-anthropologists. He appears particularly concerned with site-specific art that acts in critique of its surroundings -- and often fails to truly digest its surroundings before forming its critique.
https://nomadit.co.uk/rai/events/rai2018/conferencesuite.php/panels/6003
Short abstract: This panel addresses the role of artworks as ethnographic resource in the age before photography. Raising questions about the objectivity of images from fieldwork diaries to scientific illustration, it examines pictures' accuracy as ethnographic …
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