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https://www.catholiceducation.org/en/culture/art/looking-at-a-masterpiece-the-lamentation-of-christ.html
In many lamentation paintings the predominant note is sorrow, for instance in a truly moving one by Rogier van der Weyden. Though this Giotto fresco depicts the disciples' deep sorrow over Christ's death, their aching pain over parting from Jesus, it is not desolate. Its spirit is not so much primarily of sorrow.
https://arthistorybuff.art/2017/10/22/giotto-lamentation-of-christ/
Oct 22, 2017 · Lamentation of Christ is one of the main events on the Life of Christ art series depicting the event which Christ’s body decent from the cross. Giotto’s Life of Christ series is painted on the Arena Chapel panels. Main Figures in the painting: Christ, Mother of Christ; Mary, Mary Magdalene, Saint John, Christ’s disciples, and 11 angels.Estimated Reading Time: 3 mins
https://www.artic.edu/artworks/80542/the-lamentation
Art Institute of Chicago Annual Report, 1954–55, pp. 9–10 (ill.). Hans Huth, “A Lamentation of Christ in the Art Institute of Chicago,” Art Quarterly 18 (1955), pp. 213–15 (ill.). The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the …
http://www.art-theoria.com/painting-of-the-month/lamentation-the-mourning-of-christ/
The Lamentation (The Mourning of Christ) is scene from the walls of the chapel’s fresco cycle. It is a subject often depicted in European art so we know the story and the characters. Holding Christ is the Virgin Mary dressed in blue. At his feet, which she had washed with her red hair, is Mary Magdalene.
http://www.visual-arts-cork.com/famous-paintings/lamentation-of-christ.htm
Analysis of the Lamentation of Christ by Giotto. After the Betrayal of Christ (Kiss of Judas), the Lamentation of the Death of Christ is the most famous of the Scrovegni Chapel frescoes painted by Giotto in the first decade of the 14th century. The frescoes were commissioned by the wealthy Scrovegni family for their private chapel in Padua.
https://www.wikiart.org/en/giotto/lamentation-the-mourning-of-christ-1306-1
This fresco beautifully exemplifies Giotto’s break with Byzantine techniques. He creates a highly emotional story with the combination of elements of traditional Byzantine paintings, such as the dimensional layout and iconography, with his stylized faces showing an emotional response to the death of Christ. The result pulls the viewer into the scene by inviting them to witness the pain and anguish of …
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