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https://www.linkedin.com/in/casey-mallinckrodt-92a0b475
Casey Mallinckrodt Object Conervator at Wadsworth Atheneum Museum of Art UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic MaterialsTitle: Object Conervator at Wadsworth …
http://www.caseymallinckrodt.com/
Casey Mallinckrodt Object Conservation. Contact/Request Information ×
https://www.pinterest.com/cmallinckrodt/
See what Casey Mallinckrodt (cmallinckrodt) has discovered on Pinterest, the world's biggest collection of ideas.
https://aics47thannualmeeting2019.sched.com/speaker/casey.mallinckrodt
Casey Mallinckrodt is an assistant object conservator at the Virginia Museum of Fine Arts where her primary focus is the technical analysis and conservation of the Historic Arts of Africa. She received an MA from the UCLA/Getty Program in the Conservation of Archaeological & Ethnographic Materials and an MFA in sculpture from Yale University.
https://www.journalinquirer.com/living/time_out/american-sculptor-paul-manship-exhibit-opens-today-at-wadsworth-atheneum/article_b0966856-6c69-11eb-b06b-d3f31ac09798.html
Feb 11, 2021 · Conservator Casey Mallinckrodt offers an overview of the challenges faced in conserving sculpture and other three-dimensional objects cast in …
https://www.thewadsworth.org/about/staff/
Casey Mallinckrodt, Object Conservator Kat Sarris, Framer. Curatorial Office Brandy Culp, Richard Koopman Curator of American Decorative Arts Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art Erin Monroe, Robert H. Schutz, Jr., Associate Curator of American Paintings and Sculpture Allen Phillips, Collection Imaging and ...
https://www.facebook.com/UCLAGettyProgram/posts/10158182660652981
Check out this new book on African art, with contributions by our own Casey Mallinckrodt ('14) and colleagues! UCLA/Getty Conservation Program Yesterday at 8:42 AM
https://www.thewadsworth.org/about/thedirector/
Clark will be joined by curator Patricia Hickson and conservator Casey Mallinckrodt for a discussion about how her artistic interventions, in this work the coloring and bleaching of Confederate Battle Flags, challenge the object’s symbolic power and complicate history, conservation, and preservation.
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