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https://www.britannica.com/biography/Giorgione
Giorgione, also called Giorgio da Castelfranco, (born c. 1477/78, Castelfranco Veneto, Republic of Venice [Italy]—died before November 7, 1510, Venice), extremely influential Italian painter who was one of the initiators of a High Renaissance style in Venetian art.
https://www.wikiart.org/en/giorgione
Giorgione (/ˌdʒɔːrdʒiˈoʊneɪ, -ni/, US: /ˌdʒɔːrˈdʒoʊni/; Italian: [dʒorˈdʒoːne]; born Giorgio Barbarelli da Castelfranco; c. 1477/8–1510) was an Italian painter of the Venetian school in the High Renaissance from Venice, whose career was ended by his death at a little over 30. Giorgione is known for the elusive poetic quality of his work, though only about six surviving paintings are affirmatively acknowledged to be his.Birth place: Castelfranco Veneto, Italy
http://www.artnet.com/artists/giorgione/
Giorgione was an important Venetian painter of the Italian Renaissance. Delicately toned, his pastoral landscapes provided a unique contribution to art history. In what is perhaps his most mysterious work, The Tempest (1508), Giorgione created an ambiguous narrative set amidst an atmosphere of spring greenery and thunderous blue skies.
https://areaofdesign.com/giorgione/
Giorgione, extremely influential Italian painter who was one of the initiators of a High Renaissance style in Venetian art. His qualities of mood and mystery were epitomized in The Tempest (c. 1505), an evocative pastoral scene, which was among the first of its genre in Venetian painting.
https://www.artsy.net/artist/giorgione
Zorzi da Castelfranco, better known as Giorgione (Italian for “tall George"), was one of the most influential Venetian painters of the High Renaissance. Though not much is known about his personal life, Giorgione studied under Giovanni Bellini in Venice, which left a lasting influence in his work.Nationality: Italian
https://www.nga.gov/features/slideshows/giorgione-and-the-high-renaissance-in-venice.html
Giorgione and the High Renaissance in Venice. Overview. A search for luminous color and intuitive responses to nature—a pursuit, above all, of the sensuous—occupied painters in Venice for centuries. While artists in central Italy concentrated on the more intellectual aspects of form and structure, Venetian painters, beginning with Giovanni Bellini and his students, focused their attention on the surface of …
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