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https://www.ngv.vic.gov.au/school_resource/gordon-bennett/
This education resource accompanies the retrospective exhibition Gordon Bennett (2008) which showcased 85 works by this internationally acclaimed Australian artist. Bennett’s art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia’s colonial past and its postcolonial present.
https://blog.qagoma.qld.gov.au/the-colour-black-and-other-histories-the-art-of-gordon-bennett-australia/
Oct 22, 2020 · Bennett developed a unique form of appropriation and is known for his layering and repetition of elements from paintings by artists such as Kazimir Malevich, Piet Mondrian, Philip Guston, Margaret Preston and Jackson Pollock, as well as his sustained dialogue with the work of Haitian–American artist Jean-Michel Basquiat.Estimated Reading Time: 8 mins
https://www.citethisforme.com/topic-ideas/art/Gordon%20Bennett%2C%20Appropriation%20for%20Vincent%20Van%20Gogh's%20works-22103335
Jul 28, 2016 · Gordon Bennett, Appropriation for Vincent Van Gogh's works - Art bibliographies - Cite This For Me. Website. Outsider/Insider. The art of Gordon Bennett - IDAIA. 2016. In-text: (Outsider/Insider. The art of Gordon Bennett - IDAIA, 2016) …
https://www.frieze.com/article/gordon-bennett
Gordon Bennett. The use of appropriation in painting has led to some of the least engaged, market-fuelled art of the last 20 years. Thankfully, a recent generation of painters has taken the exploration of code beyond the first 'oh-look-at-the-incongruity' generation of Salle and Schnabel. One example is Gordon Bennett, one of Australia's most ...
https://www.artgallery.nsw.gov.au/collection/works/21.2014/
Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history.
https://libguides.mhs.vic.edu.au/c.php?g=918682&p=6628090
Gordon Bennett does not describe himself as an ‘appropriation artist’. But this approach is central to the way many people describe and analyse his work. ‘Appropriation art’ is an established postmodernist strategy defined as:
https://learning.qagoma.qld.gov.au/artworks/untitled-1991/
Gordon Bennett painted Untitled 1991 in France, where he lived for twelve months after winning the Moët & Chandon Art Award. The painting reveals a progression beyond his previous works which show a more obvious debt to post-modernist theory and, in particular, to the concept of appropriation.
https://be.convdocs.org/docs/index-35021.html?page=3
Gordon Bennett does not describe himself as an ‘appropriation artist’. But this approach is central to the way many people describe and analyse his work. ‘Appropriation art’ is an established postmodernist strategy defined as:
https://artguide.com.au/no-easy-answers-in-the-art-of-gordon-bennett
Queensland-born Gordon Bennett was an artist who loved collapsing ‘high’ and ‘low’ art boundaries. From early on in his successful career, curtailed by his death in 2014 at age 58, he was well-known for disrupting the status quo with his unique visual language.
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