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http://csmt.uchicago.edu/annotations/fosterartist.htm
Chapter 6 of his book, “The Artist as Ethnographer,” deals specifically with what Foster dubs the “ethnographic turn” in art of since the 1960s. Foster’s argument is in part guided by his opening reference to Walter Benjamin’s “The Artist as Producer.”
https://mitpress.mit.edu/books/return-real
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present.
https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
https://searchworks.stanford.edu/view/3353468
After the dominant models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Hal Foster argues that in the 1990s, we are now witness to a "return to the real" - to art and theory that seek to be grounded in bodies and sites, identities and communities.
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER?305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity. I mentioned the problem of automatic coding of artists I&-A+vis
https://www.thefreelibrary.com/The+Return+of+the+Real%3a+The+Avant-Garde+at+the+End+of+the+Century.-a018963474
Nov 01, 1996 · The argument of The Return of the Real rests on a series of assumptions now familiar in the work of what Hal Foster himself calls the academy - that body of art critics and art historians for whom New York is the center of the world. ... Assembled under the banner of the "Artist as Ethnographer," we encounter the various interests of cultural ...
https://books.google.com/books/about/The_Return_of_the_Real.html?id=Yl9oCT0fTVQC
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that...4.5/5(5)
https://mitpress.mit.edu/contributors/hal-foster
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present.
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