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http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
https://mitpress.mit.edu/books/return-real
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present.
https://searchworks.stanford.edu/view/3353468
Summary. After the dominant models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Hal Foster argues that in the 1990s, we are now witness to a "return to the real" - to art and theory that seek to be grounded in bodies and sites, identities and communities.
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