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John Chamberlain MoMA - The Museum of Modern Art

    https://www.moma.org/artists/1060
    John Chamberlain Essex 1960 John Chamberlain Tomahawk Nolan 1965 Various Artists, Andy Warhol, Claes Oldenburg, David Novros, Forrest Myers, Robert Rauschenberg, John Chamberlain The Moon Museum 1969 John Chamberlain Untitled (MAAB #81) (1971)

John Chamberlain - 170 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/john-chamberlain
    Biography John Chamberlain is best known for his twisting sculptures made from scrap metal and banged up, discarded automobile parts and other industrial detritus. “My work has nothing to do with car wrecks,“ he has said. “I believe common materials are the best materials.”Nationality: American

John Chamberlain - Slow Art, Virtual Modern Art Museum ...

    https://www.themodern.org/program/john-chamberlain-slow-art-virtual
    John Chamberlain’s Scull’s Angel, 1974, shows the artist working in his signature material—crushed car parts. Chamberlain makes the familiar new in work that embodies the gesture and energy of Abstract Expressionism and the consumer imagery of Pop art. Take a close look at Chamberlain’s fascinating life and work. Led by a Modern docent.

John Chamberlain Contemporary Art

    https://sites.psu.edu/mbeltzpassionblog/2014/10/17/john-chamberlain/
    Oct 17, 2014 · John Chamberlain was an American sculptor. He was born in Rochester, Indiana in 1927 and died in Shelter Island, New York on December 21st, 2011. As a young adult, he attended the Art Institute of Chicago. When he was young, he started working with clay sculpting, but transitioned to working in metal.

John Chamberlain Artworks & Famous Sculptures TheArtStory

    https://www.theartstory.org/artist/chamberlain-john/artworks/
    Dec 21, 2011 · Shortstop launched Chamberlain's career as a major artist in the mid-20 th century; his subsequent works with car parts stemmed from this initial breakthrough piece. Made entirely from "found" materials - the fenders of an abandoned antique Ford - Shortstop reinvested the French Surrealists' use of "found objects" with American virility.

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