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Artists by art movement: Mannerism (Late Renaissance ...

    https://www.wikiart.org/en/artists-by-art-movement/mannerism-late-renaissance
    Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as …

Mannerism Definition, Characteristics, Art, & Facts ...

    https://www.britannica.com/art/Mannerism
    Mannerist elements are already present in some of Raphael’s later paintings done in Rome, notably the Transfiguration (1517–20). In the period from 1515 to 1524 the Florentine painters Rosso Fiorentino and Jacopo da Pontormo broke away from Renaissance classicism and evolved an expressive, emotionally agitated style in their religious compositions .

Mannerism - Wikipedia

    https://en.wikipedia.org/wiki/Mannerism
    Mannerism, also known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.. Stylistically, Mannerism encompasses a variety of approaches ...

Mannerism Movement Overview TheArtStory

    https://www.theartstory.org/movement/mannerism/
    Mannerism launched a highly imaginative period in art following the climax of perfection that naturalistic painting had reached in Renaissance Italy. Artists in 16 th century Florence and Rome started to veer from classical influences and move toward a more intellectual and expressive approach. This ushered in a veer from authentic portrayals of figures and subjects, a rejection of harmony, and the development …

Mannerism Boundless Art History

    https://courses.lumenlearning.com/boundless-arthistory/chapter/mannerism/
    Mannerism came after the High Renaissance and before the Baroque . The artists who came a generation after Raphael and Michelangelo had a dilemma. They could not surpass the great works that had already been created by Leonardo da Vinci, Raphael, and Michelangelo. This is when we start to see Mannerism emerge.

Mannerist Art: Definition, Characteristics & Examples ...

    https://study.com/academy/lesson/mannerism-art-definition-characteristics-examples.html
    Like some surrealist artists of our own time (including the creators of prog rock album covers), the Mannerists used their mastery of perspective, modeling, line, and color to create artificial...

Mannerism - National Gallery of Art

    https://www.nga.gov/features/slideshows/mannerism.html
    The term mannerism describes the style of the paintings and bronze sculpture on this tour. Derived from the Italian maniera, meaning simply “style,” mannerism is sometimes defined as the “stylish style” for its emphasis on self-conscious artifice over realistic depiction.The sixteenth-century artist and critic Vasari—himself a mannerist—believed that excellence in painting demanded ...

Why did the Mannerist artists use asymmetry which gave ...

    https://answers.yahoo.com/question/index?qid=20100326093820AAhEvXe
    Mar 26, 2010 · There are a lot of theories on the formal qualities of mannerist art, ranging from social, cultural, and religious insecurity and unrest starting in the 1520's to a simple reaction to the classicizing balance and idealism of the High Renaissance -- a natural impulse to subvert or experiment with it.

Why the Mannerists’ Bizarre Paintings Deserve a Second ...

    https://www.artsy.net/article/artsy-editorial-mannerists-bizarre-paintings-deserve-second
    Nov 26, 2018 · But whether El Greco was or wasn’t a card-carrying Mannerist isn’t really the point: He studied Mannerism for years, and in the process of imitating this highly imitative movement, he happened upon a style all his own. His work—give it whatever label you like—proves that artists can mimic and be highly original at the same time.

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