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https://www.ranker.com/list/mannerism-art-and-artwork/reference
Oct 01, 2020 · Photo: Metaweb (FB) / Public domain. The Burial of the Count of Orgaz is a painting by El Greco, a painter, sculptor, and architect of the Spanish Renaissance. Widely considered among his finest works, it illustrates a popular local legend of his time.
https://www.ranker.com/list/famous-mannerism-artists/reference
Jun 19, 2018 · Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as Jacopo da Pontormo, Jacopo Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance.
http://www.historyofpainters.com/mannerist_painters.htm
The name mannerism comes from the Italian maniera, which translates to ' style '. Prominent Mannerist Artists. Sofonisba Anguissola (1532 - 1625) Italian , Florentine. Alessandro Allori (1535 - 1607) Italian , Florentine. Agnolo Bronzino (1503 - 1571) Italian , Florentine. El Greco (1541 - 1614) Greek. Giovanni Rosso Fiorentino (1495 - 1540) Italian.
https://www.wikiart.org/en/artists-by-art-movement/mannerism-late-renaissance
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, …
https://www.britannica.com/art/Mannerism
Among them were Giorgio Vasari, Daniele da Volterra, Francesco Salviati, Domenico Beccafumi, Federico Zuccari, Pellegrino Tibaldi, and most notably Bronzino, who was the pupil of Pontormo and who became the most important Mannerist painter in Florence at this time.
https://www.theartstory.org/movement/mannerism/artworks/
Jul 23, 2018 · The work is a notable masterpiece of Mannerist portraiture, portraying Núñez, King Phillip II of Spain, a self-portrait of the artist, and a portrait of his son, Jorge Manuel, as well as noted scholars and clergy. However, what matters here is the spiritual gathering, as many of those depicted were those who honored the Count of Orgaz's piety.
https://www.theartstory.org/movement/mannerism/
Artist: Parmigianino. This iconic self-portrait shows the artist, aged twenty-one, reflected as he looks into what appears to be a mirror. His distorted hand, extenuated, fills the lower part of the image, inviting the viewer in to the intimate scene. Beautiful, almost angelic, …
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