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https://pure.qub.ac.uk/files/112376389/Sumpter_Wildearticle.pdf
“No Artist has Ethical Sympathies”: Oscar Wilde, Aesthetics, and Moral Evolution . By Caroline Sumpter “There is no mode of action, no form of emotion, that we do not share with the lower animals” (137). This evolutionary claim is not attributable to Darwin, but to Oscar Wilde,
https://www.cambridge.org/core/journals/victorian-literature-and-culture/article/no-artist-has-ethical-sympathies-oscar-wilde-aesthetics-and-moral-evolution/D6B973FED02469E86EC7988F9131309E
Aug 30, 2016 · “NO ARTIST HAS ETHICAL SYMPATHIES”: OSCAR WILDE, AESTHETICS, AND MORAL EVOLUTION - Volume 44 Issue 3 - Caroline SumpterCited by: 2
https://www.researchgate.net/publication/307530637_No_artist_has_ethical_sympathies_Oscar_Wilde_aesthetics_and_moral_evolution
Sep 01, 2016 · No artist has ethical sympathies: Oscar Wilde, aesthetics, and moral evolution ... the claim that the behavior analysis is a science of values may have …Author: Caroline Sumpter
http://www.literatureandscience.org/wp-content/uploads/2017/12/Bastawy-on-Sumpter.pdf
Caroline Sumpter, “‘No Artist has Ethical Sympathies’: Oscar Wilde, Aesthetics, and Moral Evolution.” Victorian Literature and Culture 44. 2 (2016): 623-640. Challenging mainstream views on Oscar Wilde’s understanding of evolutionary theories in relation to morality, aesthetics and socialism, Caroline Sumpter argues that
https://www.academia.edu/35711025/Review_of_Caroline_Sumpter_s_No_Artist_has_Ethical_Sympathies_Oscar_Wilde_Aesthetics_and_Moral_Evolution_
The author, moreover, calls for a reading of Wilde’s statement in the preface to The Picture of Dorian Gray (1890) – “No artist has ethical sympathies” – outside the “context of the art for art’s sake movement”, for the statement, she argues, is not only a reflection of Wilde’s “suspicion of sympathy as an inherently ethical force” (632), but also an indicator of how Wilde stepped beyond the ideas of his …
https://www.cliffsnotes.com/literature/p/the-picture-of-dorian-gray/summary-and-analysis/preface/preface-1
No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician.
https://www.sparknotes.com/lit/doriangray/full-text/the-preface/
No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician.
https://www.artsy.net/article/artsy-editorial-artists-bend-ethics-arts-sake
Jul 20, 2018 · and the line between art and life. Since the 1970s, Calle has repeatedly invited us to question whether artists should be held to the same standards as other people. In viewing her work, we must ask whether invading someone’s privacy or betraying their trust is an acceptable emotional cost to art.
https://core.ac.uk/display/283865777
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https://www.cnn.com/style/gallery/controversial-art/index.html
Here's a look at the formula for art controversy and what the work we hate says about our society. arts 10 works of art that shocked the world . Updated 4th October 2019. View gallery.
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