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In 1965, Peter Sedgley was one of the artists included in the blockbuster ‘The Responsive Eye’ at the Museum of Modern Art in New York.? He was considered the new hope of English Op Art.
https://www.artsy.net/artist/peter-sedgley
Since the 1960s, Op artist Peter Sedgley has been producing luminous paintings of circles and optical explorations of light and kinetics. Trained as an architect at the Brixton Technical School and then serving as an assistant in architectural firms during the 1940s and ‘50s, Sedgley began to paint in 1963 and pursued his career as an artist.Nationality: British
https://www.redfern-gallery.com/artists/66-peter-sedgley/biography/
Peter Sedgley was born in London in 1930, and studied architecture and building work. As a young architect, he was tasked with the rebuilding of post-war Britain, but resigned in protest against what he perceived as attempts to simply recreate, rather than to innovate. He then served as a radar...
http://www.artnet.com/artists/peter-sedgley/
View Peter Sedgley’s artworks on artnet. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.Nationality: British
https://www.nrw-museum.de/en/artists/peter-sedgley.html
Peter Sedgley was born in 1930, in London. From 1944 — 46 he was a student at Brixton Technical School, London, and then worked as an assistant at the architecture offices R. Ward & Partners (1946 — 48), Gollins Melvin (1953 — 54), Clifford Culpin (1955 — 56), and Architects Co-Partners (1956 — 59).
https://108fineart.com/artists/peter-sedgley/
Peter Sedgley initially studied architecture at Brixton Technical School, 1944-46, before devoting himself to art and the exploration of colour and visual perception. His work has most recently been exhibited alongside works of Matisse and others, in the START exhibition at TATE Modern.
https://sfxart.com/an-introduction-to-op-art/
With respect to the frenetic dynamism of some Kinetic art and Op art, Sedgley’s work stands out for its slow, constant pace. There is a meditative and perhaps also spiritual character in these paintings, which not coincidentally come from years in which psychedelic culture and oriental philosophies influenced the visual arts and music, through an ideal bridge extending from California to London.
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