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Masaccio Italian painter Britannica

    https://www.britannica.com/biography/Masaccio
    Masaccio, byname of Tommaso di Giovanni di Simone Cassai, (born December 21, 1401, Castel San Giovanni [now San Giovanni Valdarno, near Florence, Italy]—died autumn 1428, Rome), important Florentine painter of the early Renaissance whose frescoes in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence (c. 1427) remained influential throughout the Renaissance.

Masaccio the work of a Renaissance Master

    https://www.italian-renaissance-art.com/Masaccio.html
    The Work of a Renaissance Master. Tommaso di ser Giovanni di Simone Cassai, also known as Masaccio, was another great Florentine artist who emerged at the beginning of the fifteenth century. He was born on 21st December 1401 in Castel San Giovanni near Florence and lived with his younger brother and his widowed mother.

Learn About Masaccio, the Italian Renaissance Painter …

    https://mymodernmet.com/masaccio-renaissance-painter/
    May 17, 2020 · Masaccio, “San Giovenale Triptych,” c. 1422 (Photo: Wikimedia Commons [Public Domain]) The Italian Renaissance —which produced artists such as Michelangelo, Leonardo da Vinci, and Titian —was one of the most defining periods of art history.

Masaccio Biography

    http://www.masaccio.net/biography/
    Renaissance art seized the social order of Florence as artists were captivated by the popular style at the time. An array of structures and canvases followed in the style as it was the innovative style of the time. Masaccio viewed Renaissance art as a visual interpretation of the ancient world, mostly found through biblical scriptures.

Masaccio Paintings

    http://www.masaccio.net/paintings/
    As Masaccio is known as the father of the Renaissance Era, his captivating techniques, styles, and themes, gained the artist the famous title. Masaccio had based his technique in aim of developing spatial perspective. Through this the artist worked to broaden the viewpoint of the painting by either horizontally or vertically expanding the artwork.

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