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Robert Wood Reproductions

    http://www.robertwood.net/reproductions.html
    Another factor in Wood's popularity was the fact that by the 1950s many artists had turned their back on traditional, representational art, while he stayed true to his own concept of painting. Robert Wood seems to have first signed a contract that gave him royalties in exchange for the rights to reproduce his images in the 1920s, for the for the Harry Eichleay Company in Pittsburgh, Pennsylvania.

Robert Wood Reproductions

    http://robertwood.net/how_to_tell_reproduction.html
    Robert Wood Reproductions 1) Prints are usually on paper, paper mounted to cardboard rather than on canvas, and are sometimes glasssed. 2) Prints or reproductions are often, though not always, sealed with a dustwrapper -- brown craft paper -- or cardboard on the back, whereas originals, painted on canvas, need to breathe.

Robert Wood Prints

    http://www.robertwood.net/prints.html
    Robert Wood reproductions come in many sizes and were printed on paper, cardboard, and, in the 1970s and 1980s, even "transferred" to canvas, making some of them even easier to mistake for an original painting. Robert Wood reproductions were even available in nice frames with brass title plates, giving them a more refined appearance.

Robert wood prints Etsy

    https://www.etsy.com/market/robert_wood_prints
    TWO MID CENTURY Textured Prints Robert Wood Early Spring And A, Cerino Landscape In Original Solid Wood Oak Frames 10 1/2" x 12 1/2" SUNSHINELEATHERGUY 5 out of 5 stars (27)

Robert Wood Paintings & Artwork for Sale Robert Wood Art ...

    https://www.invaluable.com/artist/wood-robert-vfj1g1dfkq/sold-at-auction-prices/
    Estimate: $3,000 - $6,500 Description: Artist: Robert Wood 1889-1979 Title: Seascape Signed l/r: Robert Wood Media: Oil on canvas Dimensions: 20 by 40 inches Condition: Very Good Condition Details: This painting is in very good condition. With the unaided eye there are traces of very fine craquelure in the sky portion. The work has been relined.

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