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https://www.portrait.gov.au/portraits/2011.119/study-for-portrait-of-the-artist-as-an-evolving
Study for "Portrait of the artist as an evolving landscape", 1991 James Gleeson pencil, charcoal and paper collage on paper ( sheet: 38.0 cm x 51.0 cm )
https://www.artgallery.nsw.gov.au/prizes/archibald/1994/16052/
James Gleeson Title Portrait of the artist as an evolving landscape Medium oil on canvas Dimensions 158.5 x 211 cm
https://www.menziesartbrands.com/blog-post/22-james-gleeson
Landscape with Self-Portrait in Parenthesis. The mid-Nineties were momentous years for James Gleeson (AM 1975; AO 1990; Hon. D. Letters, Macquarie University 1985). The present painting, his large and magisterial Landscape with Self-Portrait in Parenthesis of 1994, belongs to this significant period. It was a period during which three important things occurred: Professor Di Yerbury, the then Vice Chancellor of Macquarie University, announced the establishment of the James Gleeson …
https://www.gettyimages.com/detail/news-photo/james-gleeson-in-front-of-his-painting-portrait-of-the-news-photo/539513235
James Gleeson in front of his painting "Portrait Of the Artist in an Evolving Landscape". Taken 29 October 2004. THE AGE NEWS Picture by SANDY Get premium, high resolution news photos at …
https://www.muddycolors.com/2017/12/artist-inspiration-james-gleeson/
Saturday, December 16th, 2017. Self Portrait As An Evolving Landscape, oil on linen. Metamorphosis has always been, for me, one of the basic facts of life. Everything takes on a form, changes, falls apart and reforms in new organizations as part of an endless cycle. -James Gleeson. A Memory Bank, oil on linen.
https://www.artsy.net/artwork/james-gleeson-landscape
Available for sale from Charles Nodrum Gallery, James Gleeson, (Landscape) (1980), Charcoal, pastel, watercolour on Arches paper, 70.5 × 51.3 cm
https://www.pinterest.com.au/pin/726838827354508021/
Jun 12, 2020 - THE leader of Australias Surrealist movement, James Gleeson, has died at the age of 92. Here are some works held by the Art Gallery of NSW.
https://www.artgallery.nsw.gov.au/collection/artists/gleeson-james/
Referencing Jean-François Millet’s 1850 work of the same title, Gleeson’s The sower, 1944 presents a chilling twentieth-century vision of a ravaged rather than fertile landscape dominated by a conglomerate central figure, the dislocated limbs of which express humanity out of gear. In 1993, Gleeson reflected on the painting’s genesis as a reaction to the traumas of intergenerational warfare:
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